CHAM DANCE ART IN THE RIJA CEREMONY
DOI:
https://doi.org/10.54163/ncdt/289- Keywords:
- Cham
- Dancing art
- Rija
- Ritual
Abstract
In Cham folk rituals and festivals, music and dance play an important role in creating the soul of the ceremony. Currently, the Rija ceremony system of Cham ethnic group includes 4 rituals: Rija Nâgar ceremony (new year dance ceremony), Rija Harei ceremony (daytime dance ceremony), Rija Dayep ceremony (night dance ceremony), Rija Praong ceremony (big dance ceremony). This is a ritual system of folk beliefs that includes many rituals of dancing, singing, music and drama, organized by the Cham ethnic group to pray to ancestors and gods for good weather and wind, health and good harvest. In the Rija ceremony, music and dance play a leading role from the beginning to the end, which are ceremonial songs, ceremonial dances... From a unified content, music and dance have completely replaced the human voice to dialogue with ancestors, grandparents and gods. In this article, the content refers to the role of ceremonial dances in the Rija ritual; from there, state the current situation and preserve ceremonial dances in the current period.
References
Bien, P. X., An, P., & Dop, P. V. (1991). Cham culture. Hanoi: Publishing House of Social Science.
Canh, L. N., & Hai, T. D. (1995). Cham traditional performing arts. Hanoi: Publishing House of Ethnic Culture.
Doanh, N. V. (2000). The funeral ceremony in Rija Nugar of the Cham ethnic group. Journal of Southeast Asian Researchs, no. 3.
Doanh, N. V. (2006). Changing seasons festival of the Cham ethnic group. Ho Chi Minh City: Publishing House of Youth.
Dop, P. V., & Amunhan. (1989). Music and dance in the folk festival of the Cham ethnic group in Thuan Hai. Journal of Social Science, no. 4.
Dai, Q. V. (2016). Handbook of Cham traditional rituals in Ninh Thuan . Hanoi: Publishing House of Knowledge.
Hy, D., & Ton, T. (1996). Traditional musical instruments of the Cham ethnic group. Department of Culture and Information of Ninh Thuan province.
Hai, T. D. (1997). Rija ceremony system of Cham ethnic group - Things to discuss. Journal of Folklore Culture, no. 2.
Hoa, D. N. (2007). Cham - Vietnamese relations through folk music. Scientific Journal of Ho Chi Minh City Open University, no.1(11).
Hoa, D. N. (2021). Music in the Rija ritual of the Cham ethnic group. Doctoral thesis, University of Social Sciences and Humanities, Ho Chi Minh City National University.
Lien, H. (1999). The role of music in the Cham folk festival in Ninh Thuan. Hanoi: Publishing House of Music
Mon, T. V. (2012). The relationship between Cham culture and Malaysian culture through the Raja Praong and Mak Yong ceremonies. Doctoral thesis, University of Social Sciences and Humanities, Ho Chi Minh City National University.
Mon, T. V., & Khanh, T. T. (2014). Cham ethnic group’s art of singing and dancing. Hanoi: Publishing House of Knowledge.
Mon, V., & Sakaya. (1997). The Rija ceremony system of the Cham ethnic group, some issues need to be clarified. Journal of Folklore, no.4.
Ngoc, S. V. (2012). Life rituals of the Cham people. Hanoi: Publishing House of Ethnic Culture.
Sakaya. (2003). Festival of the Cham ethnic group. Hanoi: Publishing House of Ethnic Culture.
Sakaya. (2010). Cham culture: Research and criticism. Hanoi: Publishing House of Women.
Thu, P. X., Han, P. V., & Dung, N. D. (2023). Socio-economic development of the Cham ethnic group in Vietnam. Journal of Ethnic Minorities Research, 12(3), September, 2023.